Crab boil - 1.5 tsp per quart10 medium new potatoes, quartered5 Roger Wood Sausage links (1.5 pounds)5 ears of corn3 pounds of shrimp (they usually get medium sized)Directions:Fill a large pot with enough water to cover all the ingredients and add the crab boil. (You need a gigantic pot!) When the pot begins to boil add the potatoes. Cook for 15 to 20 minutes.Add corn and cook for three minutes. Then add the sausage and cook seven more minutes. Add shrimp, cooking for only 2-3 minutes. Drain and serve hot.
June 30, 2010
Low Country Boil
June 29, 2010
Our New Table
June 28, 2010
Post-Humous Album Release
Multitude Monday
June 26, 2010
This Is NOT a Defeat
Paint Projects
June 21, 2010
Multitude Monday
June 19, 2010
Saturday Strings
June 17, 2010
Update: Pregnant? Get in the Water!
Heat, humidity, the summer doldrums - not the best invitation to exercise, especially if you're pregnant. But there's a remedy: Get thee to a pool! Being in the water just plain feels good when you're pregnant, and there are physiological reasons why. Water greatly reduces the usual stress on your musculoskeletal system and supports the weight of the fetus, thus taking a load off your lower back. Water also makes it easier for the heart to pump blood, reduces pregnancy-related swelling (edema) and takes pressure off your bladder. Even as it soothes you, the pool environment allows for a total-body workout. Water provides 12 times the resistance to your muscles as does air, thus offering a strength-training benefit similar to lifting light weights.
June 15, 2010
Back in Time
June 13, 2010
Prayer Update: Mom's Recovery
June 12, 2010
Saturday Strings
June 10, 2010
Feminism: A New Liberated Identity?
Bearing a new liberated identity, many women have devoted themselves to ambitious busyness everywhere but in the home. They are enmeshed in overwhelming voluntarism to achieve accolades and recognition in the community, or they are surrogate wives and mothers dedicated to hatching professional pursuits that promise power and pocketbook. Instead of encouraging adolescents to cut the apron strings of mother and venture out into society, we are begging mothers not to cut the apron strings on their babies and catapult them prematurely into a menacing world! Mom and hot apple pie have been replaced by institutional day care centers and cold apple turnovers at McDonald’s!
Women have been liberated right out of the genuine freedom they enjoyed for centuries to oversee the home, rear the children, and pursue personal creativity; they have been brainwashed to believe that the absence of a titled, payroll occupation enslaves a woman to failure, boredom, and imprisonment within the confines of home. Though feminism speaks of liberation, self-fulfillment, personal rights, and breaking down barriers, these phrases inevitably mean the opposite.2 In fact, the opposite is true because a salaried job and titled position can inhibit a woman’s natural nesting instinct and maternity by inverting her priorities so that failures almost inevitably come in the rearing of her own children and the building of an earthly shelter for those whom she loves most. The mundane accompanies every task, however high paying or prestigious the job, so that escape from boredom is not inevitable just because your workplace is not at home. And where is the time for personal creativity when you are in essence working two jobs—one at home and one away?
In our quest to be all we are meant to be, let us not forget what we are meant to be! The question has never been whether a woman wants the best for her husband and children and even for herself. Rather the real question is this: Is being someone’s wife and another’s mother really worth the investment of a life? Does it take preparation of skills, concentration of energies, and the commitment of both to keep a home? The secular presuppositions of the present age, as well as one’s own assumptions and priorities, must continually be tested against the sure written Word of God, which warns us, “. . . but test the spirits to see whether they are from God, because many false prophets have gone out into the world” (1 John 4:1).
Prayer Request: Surgery
June 9, 2010
Abortion after IVF?!
What does this new scandal say about the human condition? In the first place, it tells us that we are turning ourselves into unabashed idolaters of the self. We are witnessing the elevation of personal autonomy, personal happiness, and personal fulfillment to levels that can only be described as idolatry. These women are seeking abortions just because they have decided they really do not want to be pregnant after all. Their concern is the solitary self above all.
Multitude Monday
June 5, 2010
Saturday Strings: Investing in Stringed Instruments
Is it rewarding to invest in music instruments as an asset class?
In a contemporary setting, antique stringed instruments have proved to be an excellent alternative investment. The fact that we cannot source fine wood that was used by the old craftsmen - makes these fine instruments irreplaceable items. The potential returns offered are virtually uncorrelated with any other asset class, hold steady over time and are lucrative. In comparison, the risks are low and inexpensive to hedge.
What is the size of the market currently, the rate of growth and the
prospects of investing in this asset class?
The market for fine instruments is presently valued at approximately USD 22 billion. It continues to grow as instruments crafted by newer makers have gained in importance. Depending on which era of violin making one chooses to invest in, growth should follow the trends of the past 50 years, wherein it returned 8-15% annually. I actually think this is sustainable over the next decade.
Who and how much should be invested in music instruments to make it a viable investment?
The market is certainly open to anyone with an interest in diversifying their portfolio. I would suggest a minimum of USD 30,000. As a relatively low risk investment this is likely to offer the returns already mentioned. An allocation of anything lower than that, often, ceases to be a collectable and thus loses its appeal.
Drawing on your expertise, what would you say is the best approach to investing in music instruments?
Seek out the best professional opinion in order to identify and invest in undervalued instruments. Insure the most obvious risks associated with the instruments. It is also vital to understand the correlation that exists amongst the various makers, age and condition of the instruments. As with all investments, it pays to be interested in the asset itself.
As opposed to stringed instruments, what are the prospects like for investing in other music instruments?
Fine stringed instruments including violins, cellos and violas, have a broader acceptance and are highly sought after. Aside from the individual artisan nature of violin making, it is age that bestows value to a stringed instrument. Most musical instruments “play themselves out” - whereas a fine old bowed string instrument, like the violin, continues to develop complexity and character. Not surprisingly, the market for them is significantly larger than those of other musical instruments.
How do you source rare musical instruments?
As items that possess sentimental as well as monetary value; these tend to surface where people of western origin have relocated to. These instruments may be held by private individuals, families, or institutions. Another major source is the presence of these instruments in musician’s hands: After a career that has spanned many decades - playing the same instrument - many choose to eek out their retirement thanks to the value their instrument has gained in the interim years. As one of the few qualified and recognised players in this industry, a reasonable quantity of our stock has also been brought in to us.
What criteria do you apply in choosing stringed instruments?
Characteristics, condition, wood, model, size, and varnish.
How important is authentication?
“Authentication” entails the examination and understanding of instruments; skills that I have refined over 25 years of having being exposed to reference examples of genuine articles. Value is added when a name or firm, such as ours, held in high esteem by the market and peers provides certification toward an instruments authenticity.
Do you think investing in music instruments is exclusive to the rich?
Not at all, as anybody can invest via a syndicate or participate in an investment trust. Often, the acquisition of a rare instrument, by a musician or collector lacks the required capital. That is where specialists like myself structure syndicates as investment vehicles to support and fund the acquisition of music instruments.
What justifies fantastical prices commanded by some musical instruments - even though to serve a purpose – a well made copy/new instrument is capable of delivering the “same” quality of music?
True. A new instrument played by a maestro could deceive a layman’s ears; but the additional effort required on the part of the musician is drenching. In order to be competitive, a musician needs an instrument that is versatile and subtle, and projects an even balance between depth and brilliance.
What role does speculation play?
The “antique value” of a rare collectable is very desirable. The rest is about supply and demand. Even if demand drops slightly, there are never enough old Italian high end instruments around. Speculation, currently, surrounds less known maker from the 1930s to 1960s as one might “buy and hold” until they start to appreciate - as has been experienced by instruments dating back to the 1920s.
What are the peculiarities exhibited by investments made in musical instruments as an asset class?
Manoeuvrability lends itself well to an instruments price appreciation… hence it offers a very global market.
What are the risks associated with this investment class, can they be hedged and at what cost?
The primary risk would be damage or loss of the instrument itself. Insuring against this risk costs approximately 0.1%-0.3% pa of the total value for a high end instrument. For example, a G B Guadagnini violin, made in Turin in 1773, presently valued at USD 1,000,000 dollars and used in concert settings around the world, would cost roughly USD 2,000 pa to insure. If the same instrument was kept and left unused in a collection, the premium would likely move down to around USD 1,000 pa. Historically there is very little risk as evident from the exceptionally low premiums.
June 4, 2010
Pregnancy Update
Daddy's Little Helper
They are working on the table top for the picnic table to go on our back deck. Jeramy pre-drilled all the holes and Moriah helped with the screws and screw driver. They make a good team. :-)